MacMillan's passion for rituals
Programme
- Mark Simpson Phôs
- Igor Stravinsky Symphony for winds (1947 version)
- Igor Stravinsky Mass (1948)
- James MacMillan Seven last words from the cross
A symphony without strings, a Catholic Mass by a Russian and MacMillan. Chief Benjamin Goodson, who gives his Great Broadcasting Choir every text detail, conducts.
West vs. East
Phôs for vocal ensemble, strings and brass was first performed in Salzburg in 2024. Briton Mark Simpson does not shy away from contemporary political and social themes, but here he moves on a more spiritual plane. In Stravinsky's short Symphony for Winds, a fascinating exploration of unusual harmonies, you hear only wood and brass. In Stravinsky's - Catholic - Mass there are echoes of the Western Renaissance, although in the singing style one can also hear influences of Russian Orthodox music.
MacMillan's 'Seven Last Words'
Seven Last Words from the Cross by Scotsman James MacMillan is a particularly contrasting work in which the ferocity of emotions alternates with reflective sections. The seven last sentences of Jesus are fragments of text from various gospels. Haydn also wrote music for them, while the "Eli, Eli, lama sabachthani" (My God, why hast thou forsaken me?) is known from Bach, whose chorales occasionally appear as echoes here. MacMillan's "Eli" growls upward from the depths.